![]() And we are adapting a story to a place where there is a graceful place to take a pause, and a give a satisfying ending to the story we began in Season 1." "From the beginning, and I think this was Naren's decision, we've never been adapting a book and a book and a book," he explains. ![]() Shohreh Aghdashloo as Chrisjen Avasarala and Wes Chatham as Amos Burton in 'The Expanse' Season 5. This kind of blending of novels is something Abraham says is important to understand. In Season 1 of The Expanse, Chrisjen Avasarala appeared right away, despite not showing up in the novels until book 2. The creative team also wants fans to know that although there's not a script cut-off for what they can and can't include from the books, it's also not a simple one-to-one relationship. When asked if there are any gestures toward future books, Shankar says, "Um.maybe. This doesn't mean that fans of the later books (which includes some massive time jumps) might not get hints of the events of books beyond what The Expanse is planning is translating into TV. If we do any televised material for books 7, 8, and 9, we'll never have any issues, because all the books will have been out for a while." "The sixth season of the show is based on the sixth book which has been out for three years. "The sixth season of the show is not going to include material from books 7, 8, and 9," Abraham tells Inverse. “The sixth season of the show is not going to include material from books 7, 8, and 9.” But Naren Shankar, Daniel Abraham, and Ty Franck say the situations aren't even remotely similar. Expanse fans might be worried a similar fate could befall their show, simply because there isn't enough time to adapt all the books before the end. The final season of Game of Thrones obviously was released well before the final Song of Ice and Fire was even written, and for many, that was a problem. Martin didn't invent, but arguably re-popularized in genre literature.Īt the time, comparing a new show to Game of Thrones was a compliment. Plus, The Expanse novels also adopt various point-of-views, a technique that George R.R. ![]() "Nobody has as much involvement with a show that we have with The Expanse," they said.Īt the time, they were also aware of the comparisons to Game of Thrones, because from 2015 until now, countless blurbs and reviews have breathlessly called The Expanse, "Game of Thrones in Space." Why? Well, the sprawling sci-fi power-struggle reminded some critics of the power-struggles in Westeros. Way back in 2017, when The Expanse Season 2 was still on the SyFy Channel, Abraham and Franck acknowledged that their involvement in translating their own novels into a sprawling, and super-faithful TV series was uncommon. ![]() “There is a graceful place to take a pause.” Here's why they say The Expanse doesn't have anything close to a Game of Thrones problem. What does that mean for The Expanse TV show? Will Season 5 have to cram in elements from four additional books, including one that hasn't even been released yet? What about Season 6 after that? Showrunner Naren Shankar and authors Daniel Abraham and Ty Franck tell Inverse that no such problem actually exists. Are you getting Game of Thrones vibes yet? Season 5 will conclude before the ninth and final novel, Leviathan Falls is published in October 2021. It might seem like a clear-cut plan, but the creators of The Expanse are flying blind. After that, we'll get a sixth and final season. Season 5 premieres on December 16, with weekly episodes through February 2. After two different networks and numerous twists and turns, The Expanse will start to wrap up the entire TV series. The most politically charged and daring science fiction series of the 21st Century is coming to an end.
0 Comments
![]() Continued abuse of our services will cause your IP address to be blocked indefinitely. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. ![]() If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
![]() (Mitcham Industries)Ģ011 Chen-Bin Su, Wes Bauske and Zhiming Li (Parallel Data Systems, Inc. Chua (Sensors & Software, Inc.)Ģ008 Billy F. Peter Annan (Sensors & Software, Inc.)Ģ006 Charles David Leggatt (Sensors & Software, Inc.)Ģ006 Steve Cosway (Sensors & Software, Inc.)Ģ006 Lowry T. Sherwood (Geophysical Development Corporation (GDC))Ģ005 Alan Faichney (Concept Systems Limited)Ģ005 Alastair Hay (Concept Systems Limited)Ģ005 David Phillip (Concept Systems Limited)Ģ006 A. Neale (Geophysical Development Corporation (GDC))Ģ004 John W.C. Hilterman (Geophysical Development Corporation (GDC))Ģ004 Reginald N. SMT)Ģ002 James (Pat) Cunneen (Aerodata Holdings Limited)Ģ004 Fred J. Robson (Veritas Seismic Processing Ltd.)ġ999 Harold A (Andy) Hildebrand (Landmark Graphics)ġ999 Robert S. Decker Dawson (Dawson Geophysical)ġ998 David B. Russell (Hampson and Russell Software Services Ltd.)ġ997 L. Zonge (Zonge Engineering and Research)ġ996 Daniel Patrick Hampson (Hampson and Russell Software Services Ltd.)ġ996 Brian H. Lindseth (Teknica Resource Development)ġ995 Kenneth L. Thank you very much for your assistance in making SEG's Honors and Awards Program a meaningful and representative activity of the Society.ġ989 Roy O. If you have any questions, please send them via email. ![]() Your timely input is vital to this important function of the SEG. ![]() Additional guidelines have been provided by the Honors and Awards Committee. ![]() Please include a brief summary describing the specific achievement or contribution that you think merits formal recognition by SEG and an up-to-date curriculum vitae or resume. Supporting information and letters of recommendation are very useful to the committee. In order to guarantee that all deserving individuals and organizations receive consideration for appropriate recognition all nominations must be received by 1 January to allow the Honors and Awards Committee enough time for appropriate investigation, deliberation, and recommendations to the SEG Board of Directors. The Honors and Awards Committee annually solicits nominations for deserving recipients to be honored at the SEG Annual Meeting. One of SEG's great traditions is the special recognition of individuals and organizations for their contributions to geophysics and to the Society.
![]() ![]() ![]() The #MeToo movement and the Harvey Weinstein story broke about two months after I started writing this book, but already there was a lot of darkness and trauma in the air that then exploded and became a huge part of the narrative around what being a woman was about. With Dead Blondes and Bad Mothers, I had just gotten married, I was pregnant, and while I was writing the book proposal, Trump won the presidency, and all of a sudden we were skidding into a narrative that was not about progress at all, that was very much about the fact that we were probably going to lose Roe v. But it was written with this optimistic sense of “Well, maybe now it’s all finally over and women can just be themselves in public.” Those were the stakes at the time. And it’s a fairly dark book: it’s about mental illness and addiction and trauma and death, which my writings tend to be about. Trainwreck, my first book, is very much a product of the aughts feminist boom, and it is about media. It comes from the shift into a much darker and less optimistic version of gender politics that we were facing. And she never loses the central thread of how men relate to, and try to control, women, labeling them monsters when they resist, or when they remind them of their own worst selves. From “Psycho” and “Godzilla” to “Frankenstein,” “Carrie,” Donald Trump and the incel underground, Doyle weaves together a dizzying array of sources and arguments. ![]() ☏, using winter night weather conditions of 0☏ outside and 70☏ inside.This represents the heat flow rate through a window expressed in BTU/hr The lower the number, the better the glass is for reducing fading potential of carpets and interior furnishings. This region includes all of the ultraviolet energy and part of the visible spectrum, and will give the best representation of relative fading rates. UV Damage Weighted Transmittance (Tdw) is the weighted average for wavelengths 300 – 780 nm (based on CIE 89/3). The UV Transmittance is determined as an average for wavelengths 300 -380 nm. The lower the number, the better the glazing is at preventing solar gain. The amount of solar radiation that enters a building as heat. (See and for more information on glass optical data and the Window 7.4 program.) Emittance of ordinary (pyrolitic) low-E is 0.16. The Cardinal had gone seven full games and 431 minutes, 44 seconds of game action between leads.All values calculated using Window 7.4. It marked the first time since October 30, 2021, against Washington that Stanford led a game at any point against an FBS opponent. When the Cardinal drove 78 yards on their opening possession for a 1-yard TD by Casey Filkins, it left them in an unusual spot. Stanford set a school record with its 10th straight conference loss. Tanner McKee threw two long touchdown passes to Brycen Tremayne but it wasn't enough for the Cardinal, who haven't beaten an FBS team since topping Oregon on October 2, 2021. The only other times it happened, according to the Elias Sports Bureau, came in 1981 against Fresno State and 2018 against Colorado. He also authored the third comeback from 14 points down to start the fourth quarter in school history. Gulbranson finished 20 for 28 for 250 yards and two TDs in his first collegiate start in place of the injured Chance Nolan. When I saw nobody in front of me, straight green grass. “I was thinking touchdown,” Harrison said. Patrick Fields appeared in position to make the tackle but Harrison got by him for the score. ![]() After two short completions, he took a shot down the sideline for Harrison, who leaped over Ethan Bonner for the catch. The Cardinal nearly out the clock before settling for a 46-yard field goal with 58 seconds left.īut Gulbranson needed only three plays to go 76 yards for the win. “We rode that energy and finished pretty strong.”ĭamien Martinez added a 43-yard touchdown run to make it 24-22 but the Beavers missed both 2-point tries to keep Stanford in the lead. “That was definitely a spark plug for us,” Gulbranson said. Gulbranson threw a 21-yard TD pass on fourth down to Silas Bolden on the second play of the fourth quarter to start the comeback. “We had a chance to put the game away and didn’t do it.” “I’m not going to be all sunshine about us playing our best game because we have to finish,” coach David Shaw said. ![]() Instead, they collapsed down the stretch and lost their 11th straight game against an FBS opponent. The Cardinal (1-4, 0-4 Pac-12) appeared to be in control of the game when they took a 24-10 lead into the fourth quarter with Oregon State (4-2, 1-2) using a backup quarterback. ![]() Walker ended his set with the title track off the new album. From there, Walker moved into a cover of Van Morrison’s “Fair Play,” a great choice for showcasing his voice’s malleability. His short set (the norm at Non-COMM), consisted of “Funny Thing She Said” and “Summer Dress” from his new record Primrose Green, the former being explored and taken to new heights from the recorded version. That emotion told the audience things that his lyrics could not. Not necessarily folk music in the sense that he’s playing a homemade dobro dressed as someone who just returned from the Battle of Bull Run, but in that he’s telling stories, not only with his lyrics but with the emotion in his voice. He’s making folk music in how the term was originally used. The blues influence surprised me, as it is not as prevalent on record. It’s Ryan Adams with a hint of Howlin’ Wolf. Walker played his guitar expertly, but his voice is what stood out especially. Walker’s acoustic tunes, with the complement of an electric guitarist, were folk-blues at its finest. Please do not let that fool you, as Walker is clearly a cut above. When Ryley Walker sat down on his stool at the small PRX stage early on Wednesday, he looked like just another coffee house singer-songwriter. Set List: Bullets and Rocks, Splitter, When the Angels Play, Tapping On the Line, Alone Again Or (Love cover), Not Even Stevie Nicks…, Love Will Tear Us Apart (Joy Division Cover), Cumbia de Donde, Falling From the Sky They closed out with “Falling From the Sky” and proved that they were up to the task of opening for the legend. Getting a crowd of older fans waiting on Brian Wilson dancing is not an easy task, but Calexico was able to do it with the latin-rock jam. They played a set heavy on songs from their most recent work Edge of the Sun, adding a cover of Love’s “Alone Again Or” and a smart cover of Joy Division’s “Love Will Tear Us Apart.” The highlight of the show was “Cumbia de Donde” off the new album. The band worked smoothly through their set list mostly acoustically, offering a different style to fans of the band that are used to the bigger band sound. The band stripped down a bit for this set and didn’t have their full roster of normal members, but you wouldn’t know it by the quality of the show. The band played a sold out show at Noon on a Friday, opening for legendary Beach Boys founder Brian Wilson. Tucson Americana act Calexico brought their Tex-Mex Indie rock to Non-COMM on Friday in the most difficult schedule placement of the week. Set List: Loser, Cross My Heart, All Wet, Alice, Your Love, Mother, The River Philadelphia is a on a bit of hot streak churning out rock stars and it looks like they have another one in Son Little. ![]() The hometown crowd responded at the set’s finish. It gives you the feeling of riding on a heavy steam train barreling straight up a mountain. The song remains on the precipice of losing steam but never quite does. The slow-burning classic soul song was followed by a rollicking version of “The River,” a song that fights to maintain a steady momentum throughout. His newest single, “O Mother” is a beautiful soul track that was written as he was overcome with emotions regarding racial injustice and the events of the past year. The two songs that closed out the set were the highlights. The growling blues vocals are similar to those that Livingston added to The Roots’ 2011 album Undun. The framework of the songs is similar to the electronic soul-rock that Livingston created with Icebird, his collaboration with DJ RJD2. Fragments of Livingston’s past projects are littered throughout his work as Son Little. Philadelphia’s own Aaron Livingston, now known as Son Little, led things off on Thursday with a tight set of tracks off his debut EP, Things I Forgot. From emerging artists like Leon Bridges to music legends like Brian Wilson, Non-COMM 2015 had something for everyone to enjoy narrowing it down to the ten best performances was a harrowing task. This year’s iteration had performances from over 30 artists from across the spectrum of the music industry. The highlights of this unique event each year for music fans are the music showcases. Non-COMM also hosts workshops and invites speakers from within the public radio community. This genre-melding event held at World Café Live in Philly has been taking place since 2001 and has hosted performances from the likes of Willie Nelson and Phoenix to My Morning Jacket and Dr. Last week, WXPN’s annual Non-COMMvention in Philadelphia brought together music industry members, artists and music fans for three days dedicated to cultivating and celebrating public radio and live music. ![]() Nature 185:119Ĭroxall JP, Rodwell S, Boyd IL (1990) Entanglement in man-made debris of Antarctic fur seals at Bird Island, South Georgia. Nature 209:289–290Ĭrisp DJ, Ryland JS (1960) Influences of filming and of surface texture on the settlement of marine organisms. ![]() Marine Conservation Society, Ross-on-Wye, UKĬoombs DS, Landis CA (1966) Pumice from the South Sandwich eruption of March 1962 reaches New Zealand. The 10th annual beach litter survey report. Science 185:491–497Ĭonvey P, Barnes DKA, Morton A (2002) Debris accumulation on oceanic island shores of the Scotia Arc, Antarctica. Springer, Berlin Heidelberg New York, pp 25–34Ĭolton JB, Knapp FD, Burns BR (1974) Plastic particles in surface waters of the north eastern Atlantic. In: Coe JM, Rogers DB (eds) Marine debris: sources, impact and solutions. Nature 395:556Ĭoe JM, Andersson S, Rogers DB (1997) Marine debris in the Caribbean region. CCAMLR, Hobart, AustraliaĬensky EJ, Hodge K, Dudley J (1998) Over-water dispersal of lizards due to hurricanes. Science 261:78–82Ĭarpenter EJ, Smith KL (1972) Plastics on the Sargasso Sea surface. Bull Mar Sci 41:452–465Ĭarlton JT, Geller JB (1993) Ecological roulette: the global transport of non-indigenous marine organisms. Mar Pollut Bull 28:154–158Ĭarlton JT (1987) Patterns of transoceanic marine biological invasions in the Pacific Ocean. Biol J Linn Soc 56:415–422ījorndal KA, Bolten AB, Lageux CJ (1994) Ingestion of marine debris by juvenile sea turtles in coastal Florida habitats. Nature 352:113īenton TG (1995) From castaways to throwaways: marine litter in the Pitcairn Islands. Smithsonian Tropical Research Institute, Chicago, pp 154–160īenton TG (1991) Oceans of garbage. In: Herrera-Cubilla A, Jackson JBC (eds) Proceedings of the 11th international Bryozoology Association conference. Mar Ecol Prog Ser 262:289–291īarnes DKA, Sanderson WG (2000) Latitudinal patterns in colonization of marine debris. Royal Irish Academy, Dublin, pp 193–205īarnes DKA, Fraser KPP (2003) Rafting by five phyla on man-made flotsam in the Southern Ocean. In: Davenport J (ed) The effects of human transport on ecosystems. Nature 416:808–809īarnes DKA (2004) Natural and plastic flotsam stranded in the Indian Ocean. Nature 184:203–204īarnes DKA (2002) Invasions by marine life on plastic debris. Cambridge University Press, Cambridge, pp 3–14īarber HN, Dadswell HE, Ingle HD (1959) Transport of driftwood from South America to Tasmania and Macquarie Island. ![]() In: Battaglia B (ed) Antarctic communities: species, structure and survival. J Exp Mar Biol Ecol 184:217–236Īrntz WE, Gutt J, Klages M (1997) Antarctic marine biodiversity: an overview. ![]() Mar Pollut Bull 46:1142–1149Īnderson MJ, Underwood AJ (1994) Effects of substratum on the recruitment and development of an intertidal estuarine fouling assemblage. We put our findings in the context of the Atlantic literature to interpret spatial and temporal trends in marine debris accumulation and its organismal consequences.Īliani S, Griffa A, Molcard A (2003) Floating debris in the Ligurian Sea, north-western Mediterranean. Our two South Atlantic mega-debris shipboard surveys (10 years apart) found no changes in open-ocean debris densities but resurvey of a UK and an Arctic island both found increases. Colonisation rates of debris differed between hemispheres, previously considered to be similar. Our findings of high east-Arctic debris colonisation by fauna contrast with low values from west Arctic (though only two samples) and south Atlantic shores. The highest densities of oceanic debris were found around northwest Europe, whereas the highest stranding levels were equatorial. Plastic pieces dominated both open-ocean and stranding marine debris. We report (1) anthropogenic debris from the most northerly and southerly latitudes to date, (2) the first record of marine biota colonising debris at latitudes >68°, and (3) the finding of exotic species (the barnacle Elminius modestus) on northern plastic debris. Daily shipboard observations were made from the Southern Ocean to the high Arctic and the shores of 16 remote islands were surveyed. Here we present a combined open-ocean and remote coasts marine debris survey of the Atlantic (from 68°S–78°N). Shipping increased opportunities for marine organism travel mere thousands of years ago but in just decades floating plastic debris is transforming marine rafting. Organisms have travelled the Atlantic Ocean as neuston and have rafted on natural marine debris for millions of years. ![]() It may be harder to tack a genoa than a jib, since the overlapping area can become fouled among the shrouds and/or mast unless carefully tended during the tack. Maximizing the sail area can cause more difficult handling. Under Performance Handicap Racing Fleet rules, most boats are allowed 155% genoas without a penalty. Working jibs are also defined by the same measure, typically 100% or less of the foretriangle. Number 2 genoas are generally in the range of 125–140%. Genoas are classified by their size a modern number 1 genoa would typically be approximately 155%, but historically number 1 genoas have been as large as 180%. Sail racing classes often specify a limit to genoa size. Genoas are categorized by a percentage representing their area relative to the 100% foretriangle. To maximize sail area, the foot of the sail is generally parallel and very close to the deck when close hauled. A genoa is larger, with the leech going past the mast and overlapping the mainsail. A working jib is no larger than the 100% foretriangle. Colloquially the term is sometimes used interchangeably with jib. The term genoa (or genny) refers to a type of jib that is larger than the 100% foretriangle, which is the triangular area formed by the point at which the stay intersects the mast, and deck or bowsprit, and the line where the mast intersects deck at the rail. The term jib is the generic term for any of an assortment of headsails. A jib, left, compared to a roughly 110% genoa, right. As an alternative action, you can press the combination of keys- Ctrl+R. Have a careful look at the values that are being displayed on the Watch Window.To resume the execution of script and stop at the next breakpoint, click Step Out. As an alternative action, you can press F11 button. To step into the body of a particular function, click Step Into. ![]() As an alternative action, you can press F10 button. To step over a particular function call, click Step Over. As an alternative action, you can press F8 button. To resume the execution of script once a breakpoint has been encountered, click Continue. Apart from Step Over button, you can see three other buttons- Continue, Step Into and Step Out. This button is present on the Firebug toolbar. Execute the code line by line by using clicking “Step Over” button.On the right panel of the script tab, you can view the line of code to which the static breakpoint has been assigned. Set a static breakpoint on the desired line of code.With no second thought, launch the console of Firebug debugger. Write your JavaScript code in a notepad file.Here, are a simple 8 step procedure that lets you to debug JavaScript code in Firefox by using FireBug: How to Debug Javascript Code using FireBug In the search box, type Firebug and press the Enter key of the keyboard.įirebug is now added to your Firefox browser.At the top right hand corner of the window, you can find Open Menu On the contrary, Watch Window of Microsoft Visual Studio will display the values of selected variables. Woe-betide! Values of variables that are within the scope are only displayed. Watch Window of Firebug will display all the values of available variables as a list. However, comprehending the finer lines of difference that exist between the Watch Window of Firebug and that of Microsoft Visual Studio will do a world of good. Watch Window − ‘Watch Window’ is a familiar word to all who are well versed with the nitty-gritty of Microsoft Visual Studio.You can remove the unnecessary breakpoints. List of breakpoints − All the breakpoints will be displayed in the panel.In addition, they can be set by using two popularly used functions- debug and undebug. There is something endearing to dynamic breakpoints- They can be set from commandline. To set breakpoints based on function names, you can bank on dynamic breakpoints. As the name suggests, conditional breakpoints should be set based on a condition. To set static breakpoints, click the desired line of code in the Script panel. It can be said in all fairness that there are three kinds of breakpoints in Firebug- Static, Conditional and Dynamic. Breakpoint − JavaScript execution will stop at breakpoints.JSFileSelector − JSFileSelector displays the list of all JavaScript files that come under the purview of your page.The panel on the right encompasses two sub-panels- Watch and Breakpoint. ![]() The script panel is divided into two sub-panels-the panel of the left is JavaScript editor. HTML and CSS are the second and third tabs present on the pane.
![]() Free entry with festival button.ġ00% Pure Kona Coffee Half Marathon Coconut Grove Marketplace 75-5809 Alii Dr., Kailua-Kona Half Marathon starts at 6:00 a.m.ħth annual 100% Pure Kona Coffee Half Marathon. Recorded by Big Island TV in 1985, the film makes tribute to the struggles and triumphs of a family between 19, making a life of coffee farming in Kona. Take a fun trip down memory lane and see many familiar faces from the Kona community. Kona Coffee Gamble: 60 Years Aloha Theatre 79-7384 Hawaii Belt Rd., Kealakekua 7 p.m. We will showcase three common home brewing methods – a French Press, Pour Over and Clever Dripper – and cover all the techniques and tricks to perfect your morning brew! Competition heats up later in the week at the Kona Coffee Signature Beverage Throwdown. Seasoned coffee educators, trainers and professionals both local and abroad, guide a robust coffee education experience in manual brewing techniques. Kona Coffee Barista Training Kona Coffee & Tea 74-5588 Palani Rd., Kailua-Kona 5 p.m. $15 – Reduced ticket purchase with festival button, available for purchase on-site. Self-guided farm tour tells the story of Kona’s coffee pioneers during the early 20th century. Applications available at /festival-event-formsand look for UCC Hawai’i Kōnane Challenge. This kōnane challenge is set for 16 players, selection based on skill levels. ![]() Players gather at UCC Hawaii to compete in this friendly game of strategy and critical thinking. Kōnane, sometimes called Hawaiian checkers, is a complex game of strategy, critical thinking and even teaches players how to manage resources. UCC Hawai’i Kōnane Challenge UCC Hawai’i Coffee Retail Shop 75-5568 Mamalahoa Hwy., Holualoa 3 p.m. Tickets are $35 and can be purchased soon via. Teen Miss Kona Coffee will make its debut! They all vie for crowns learning from a “stage” of opportunities to help groom confidence, poise and self-development. More than a pageant, Kona’s premier youth competition features Hawai’i Island young ladies ages 4-17. Little Miss Kona Coffee Scholarship Competition Aloha Theatre 79-7384 Hawaii Belt Rd., Kealakekua Doors open at 2:30 p.m. Try your hand at picking ripe coffee cherry and witness how the harvest transforms to coffee in your cup. UCC Hawai’i Kona Coffee Picking & Farm Experience UCC Hawai’i Kona Coffee Estate 75-5568 Mamalahoa Hwy., Holualoa Two farm tours, meet at the farm’s retail shop: 10 a.m. Chef demonstrations, musical entertainment, Kona coffee farm booths and local artisans featured at the Big Island Showcase. Recipe Contest doors open at 11 a.m.Ī tasty showcase of prized original Kona coffee recipes in two categories: sweet and savory are judges and prizes awarded. KTA Super Stores Kona Coffee Recipe Contest Outrigger Kona Resort & Spa 78-128 Ehukai St., Keauhou Big Island Showcase opens at 10 a.m. Tickets are $50 and can be purchased soon via. ![]() Candidates ages 18-26 compete in private interview, onstage question & social impact pitch, red carpet and talent phases for scholarship opportunities and a chance to compete in the state competition. Competition starts at 6:00 p.m.Ī festival competition affiliated with the Miss Hawaii and Miss America Organizations. UCC Hawai’i Miss Kona Coffee Scholarship Competition Aloha Theatre 79-7384 Hawaii Belt Rd., Kealakekuaĭoors open at 5:30 p.m. Guest judges will present awards to the first, second and third place artworks. Meet and talk story with featured local artists/farmers. – 7p.m.įree with a festival button and open to the public. Register online to participate at Exhibition Opening Reception for “Compost Culture: The Art of Regenerative Transformation” Donkey Mill Art Center 78-6670 Mamalahoa Hwy., Holualoa 4 p.m. Try cultural activities, including lei po’o, lauhala bracelet weaving and local natural dyes like olena (tumeric). Cultural Activities & Demos Donkey Mill Art Center 78-6670 Mamalahoa Hwy., Holualoa 10 a.m. Shop the Festival pop up retail and meet the 2022 Artist. Visit galleries in this quaint art district and taste samples from 35+ Kona coffee farms. The Holualoa Coffee and Art Stroll Holualoa Village 9 a.m. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |